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Showing posts with label Rodger Corman. Show all posts
Showing posts with label Rodger Corman. Show all posts

Wednesday, November 23, 2011

Creature from the Haunted Sea: 1961





Let's review a B-Movie Creature Feature.

   A crook decides to bump off members of his inept crew and blame their deaths on a legendary sea creature. What he doesn't know is that the creature is real.


   "The Creature from the Haunted Sea" is an example of Rodger Corman's knack for dark humor.  He takes a budget of what looks like less than $200, and turns it into this.  A furry/criminal/stranded/quirky/chuckle/in love/Cuban/monster...and all of it on a boat.  In a way he's a genius, and in another he's...well...not.  But, there is a definite charm to his films, this one especially.  The movie is so strange that I would classify this to be rather stylistic, or at least to some extent.  I do have to note the cartoon opening credits though.  I thought for just a second that it would be, "Santa Clause Conquers the Martians" all over again, but thank goodness that it wasn't.

Now, I'm not clear as to what the budget Corman was given exactly.  But whatever he wanted to do, I think he did it.  Aside from the poor sound quality he accomplished his task successfully, although it was very difficult to hear the dialog.  This made it very hard to hear the jokes and even sometimes the story.  But even though there was poor sound quality, that didn't stop any of the actor’s voices from hitting an un-hittable frequency.  Honestly, I don't know whether these people want to be caught, or are just lousy spies!  Every scene in which two people are trying to trade, "spy" information, they talk as though nothing's at stake!  "HELLO THERE FELLOW SPY!!!” "OHHHHH HELLO!!!”  "DO YOU HAVE THAT SUPER TOP SECRET INFORMATION ON THE COUPLE SITTING IN THE BOOTH NEXT TO US???”  "WHY, I SURE DO!!!  HERE YOU GO!!!".”THANK YOU FELLOW SPY!!!  GOODBYE!!!".”GOODBYE FELLOW SPY!!!”  It's ridiculous!

   Now let's talk about the monster.  I can tell you that when I saw the poster for this movie, I did not think that it would look like it did.  I'm sure that by now I've gone and posted the monster's picture on this review, but I'll describe it anyway.  It looks like if you took the creature from the black lagoon, and instead of having him be a human fish, you made him a bear/alien.  I guess the monster is pretty funny, so that's another point to the comedic side of this film.  Also, if you look at the synopsis near the beginning of the review, it takes a (sort of) real issue, and mixes it with a myth.  I suppose that it's to flesh the monster out to be more realistic, but I'm not too sure about that.  

   
   In Conclusion:  For anyone that knows what a Rodger Corman film looks like, then you can expect what you're going to get out of the, "Creature from the Haunted Sea".  It's a cheesy film, riddled with dark humor and an expendable cast to be picked off one by one.  I do respect Corman for both the director and producer that he is, and I also like his films, but in a different way that I like other films.  With him, you know what you're getting into and I enjoy that just as I do with people like Alfred Hitchcock and his twist endings.  And speaking of endings, this film has a surprisingly satisfying one!  If you enjoy a good Corman film, I'd advise you to check this one out!      

Verdict:
I give this film 3 plungers to the face out of 10



Next Review:  Night of the Living Dead 1963

Sunday, September 4, 2011

The Terror: 1963


   
  Rodger Corman was, and still is known as, “The B-Movie King”.  He was the director of many horror flicks, most of which were made fast and inexpensive.  Around the time this movie came out, Corman was working on, "The Raven", an adaptation of the book by Edgar Allen Poe.  He must have been fond of Poe's work, because he made many more film adaptations like it, including, "The Pit and the Pendulum", and, "The Black Cat".  Anyway Rodger Corman finished, "The Raven" two days before its expected release, so instead of just making an audience wait two days to see a movie, he decided to make another film entitled, "The Terror", the film I will be reviewing today.  "The Terror", was filmed in the two days left over from the early release of, "The Raven", and it used the same props, sets, cast, and crew left over from, "The Raven".  Why not?  

   If you know the cast from the raven, then it won't be a surprise when I tell you the cast of this film are Boris Carloft and Jack Nicholson.  I bet you never would have thought these people would have crossed paths ever in the history of cinema, but there it is!  Wow!  You've got the famous older Boris Carloft with younger-soon-to-be-star, Jack Nicholson, while directed by the B-Movie master, Rodger Corman!  How could this movie possibly go wrong?  Francis Coppola worked on the film a little bit after Rodger Corman gave up the production.  Okay, you might think that this is the time that I go into the movie review like I normally do, but today we're going to do something different.  I'll be moving on right into my conclusion, but instead of labeling it, "In Conclusion", I'm not going to be making any separation from the back story and the actual review of the movie.

   This was a sad film, but not for the acting or the story or the characters.  It wasn't any of those things.  It was simply the fact that it was a clash of actors in the same year.  Boris Carloft and Jack Nicholson both have had their share of horror films, only, for one it was the beginning of a career, and for another the end of one.  But as for the story, it went everywhere with its twists and turns and changing of roles.  It never stopped!  My guess is that Rodger Corman made it this way, because of the lack of time.  He may not have known that his idea for, "The Terror” needed more separation between each possible explanation to a mystery.  To space out the twists until it was appropriate to use them.  There were some confusing parts too, like the very first scene, where you watch Boris Carloft travel down into the castle to open a door to find a skeleton.  This had no purpose to the story whatsoever.  It’s even in the beginning of the movie, so it seems as though it was meant to be paid attention to.  

   Ronald Stein composed the music for the film, and I'm sure that it was meant to be a powerful piece, but it ends up being redundant and forgetful.  Not only was this rushed, but the dialog and timing are sub-par, making for mediocre conversations, and since there is a twist every three scenes, you end up becoming unattached to the plot.  The performances were standard; however, Nicholson   interacting with Carloft was very interesting.  If you'd like to see what Jack Nicholson's career was like before he became famous, you should check this out.  However, it comes with a price.  In the climax its shown clearly, That Boris Carloft cannot do hand to hand combat at all, and you reflect upon the time that has gone by with his career, you now know his former way of life has come to a close.  The turning point of film has arrived with Nicholson, and ended with Carloft.  Out with the old and in with the new, I suppose.  Out with the old and in with the new... 


Verdict:  I give this film 3 unexplained skeletons out of 5
  



         Next Review:  The Vampire Bat 1933